October 22-29
This (last) week’s CSO program
MOZART Symphony No. 25
TURNAGE Chicago Remains
INTERMISSION
BRAHMS Piano Concerto No. 2
Bernard Haitink, Conductor
Emanuel Ax, Piano
This (last) week’s MOB Program
MOZART Les Petits Riens
DELALANDE Te Deum
INTERMISSION
CHARPENTIR Te Deum, H. 146
Ravel Le Tombeau de Couperin
Jane Glover, conductor
Sarah Gartshore, soprano
Amy Conn, soprano
Karim Sulayman, tenor
Harold Brock, tenor
Douglas Anderson, baritone
Peter Van De Graaff, bass-baritone
Monday
off
Tuesday
10-12:30 CSO rehearsal
2-5 MOB rehearsal
7:30 CSO concert (Wagner/Mahler)
Wednesday
12-2:30 3:30-5:30 CSO rehearsals
7-10 MOB rehearsal
Thursday
10-12:30 CSO rhearsal
8 CSO concert
Friday
1:30 CSO concert
7-10 MOB rehearsal
Saturday
3:30-6:30 MOB rehearsal
8 CSO concert
Sunday
10-12 Chicago Bass Ensemble rehearsal
7:30 MOB concert
Monday
7:30 MOB concert
Due to a busy schedule, I’ve fallen a week behind with the blog. The CSO concerts were enjoyable. Emanuel Ax is always a pleasure. I was off the Mozart (2 basses only), so that was wonderful. The Turnage piece was also a pleasant surprise. Without it sounding derivative, I thought I detected hints of Stravinsky, Messiaen, Boulez and Zappa – all good influences in my book.
The MOB concerts are a rare diversion from the normal sort of Bach, Handel, Telemann fare. It is funny how in the German Baroque music everything in the parts is just so while a lot of this French stuff is a mess – hard to decipher roadmaps, frequent changes from Inegal to straight, none of which are in the print . But it has been an enjoyable challenge. Thanks to some top-notch soloists, this turned out to be a pretty good concert.
Yes, that is a bass quartet rehearsal at 10 AM on a Sunday. The CBE is gearing up for our big concert on November 7th, or else I would have been happily sleeping.
Bass Blog
Michael Hovnanian formerly played bass with an orchestra located in a large midwestern city.
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Monday, October 29, 2007
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2 comments:
I have never used a bass for classical music. Whats it like? What is a good way of getting into it?
Tom
http://bassguitarchords.blogspot.com/
Depends on the music. Sometmes it's really boring, other times a lot of fun.
The best way to get started is probably to find a teacher, somebody who plays classical
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