Not much to say about this movement. I had a faster tempo in mind, but as the 'recording session' took place immediately after playing a Bruckner Symphony for the fourth day in a row, my fingers were something less than fresh. So, instead of a fast Allegro, I settled for something a bit more more jaunty.
In the bass edition I used until I found the facsimile, the F-sharps in measures 5 and 6 were 'corrected' to F-naturals. By the time I got hold of the facsimile, I was pretty much playing from memory, and so it wasn't until I started to do some layout work for my own edition that I spotted the F-sharp and realized, just in time, I'd been playing a wrong note all along.
This movement has some curious slurs, which I took to be phrasing indications, rather than bowings, coincidentally, in the same measures with the changed accidentals. Mostly, I just didn't feel like slurring those notes, so I didn't.
mm. 5-6, slurs and F-sharps
Also, one passage became inordinately difficult due to the tuning of my lowest string (D, rather than F-sharp, or E) – a small price to pay for getting rid of the 'wolfy' A-string.
a pain to play with a low 'D' string