In addition to the folly that is trying to play anything of musical value on the double bass, this movement added the extra layer of trying to play imitative counterpoint on instruments with different tunings, which meant I had to learn the same passages in two different keys and then try and make them sound the same. Every plan has its flaws, I suppose, although doing a little extra work certainly didn't kill me, and this is a pretty cool movement, so maybe worth the effort.
click below to listen
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