Program A
WAGNER Prelude to Die Meistersinger von Nürnberg
SCHREKER Prelude to a drama, Die Gezeichneten
INTERMISSION
BEETHOVEN Violin Concerto in D Major, Op. 61
James Conlon, conductor
Miriam Fried, violin
Program B
DVORÁK Carnival Overture, Op. 92
GRIEG Piano Concerto in A Minor, Op. 16
INTERMISSION
BEETHOVEN Symphony No. 5 in C Minor, Op. 67
James Conlon, conductor
Orion Weiss piano
Program C
BRAHMS Academic Festival Overture, Op. 80
BRAHMS Violin Concerto in D Major, Op. 77
INTERMISSION
BRAHMS Symphony No. 1 in C Minor, Op. 68
James Conlon, conductor
Gil Shaham, violin
Monday
11-1:30 2:30-5 rehearsals
Tuesday
2:30-5 rehearsal
8 concert (A)
Wednesday
2:30-5 rehearsal
8 concert (B)
Thursday
2:30-5 rehearsal
8 concert (C)
Friday
off
Saturday
off
Sunday
off
OK, I’m way behind again…
This week ended up a bit differently than originally planned. Itzhak Perlman was supposed to play the Beethoven concerto and then conduct the next night. I’m not sure what happened to him, but I hope it’s nothing serious. One of the good results of all that was the replacement of the overplayed Beethoven 5th by the underplayed 1st.
Program A was played in reverse order, I believe at the request of Miriam Fried. I’m not sure if she wanted to hide behind the very loud cicadas (which tend to quiet down later in the evening), had somewhere else to be at 9 o’clock, or what. The resulting backwards program seemed a little strange. Whatever I think of the Breaking the Silence pieces, once I hear the composer’s life story, I’m always rooting for them. Having the Schreker Prelude followed by (of all things) Meistersinger was a bit of a Bambi Meets Godzilla mismatch that left me feeling a bit creepy afterwards.
The Thursday program was more light, breezy fare, suitable for a warm summer evening.
Bass Blog
Michael Hovnanian formerly played bass with an orchestra located in a large midwestern city.
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Thursday, August 14, 2008
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2 comments:
The Shreker Prelude grew on me after a couple of rehearsals; it was actually pretty gratifying to play. Maybe the best of the "Breaking the Silence" discoveries we have been subjected to. I'd like to play it...how can I put this?...with a bit more podium guidance, not to mention competence.
I'm assuming I'll see you at the Don Giovanni performance?
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