Bass Blog

Michael Hovnanian formerly played bass with an orchestra located in a large midwestern city.

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Wednesday, December 10, 2008

This Post Rated XXX

The other day somebody complained to me about the amount of selling on the Internet, what you might call the pornography of self-promotion – buy my gear, buy my CD, my method book, whatever. I thought it high time I dip my foot briefly into those waters.

The Chicago Bass Ensemble will be performing on Monday, December 15, 7 PM at Heaven Gallery, 1550 North Milwaukee, 2nd floor. Information about the CBE may be found here, and the Heaven Gallery, here.

I am also happy to announce, at long last, the re emergence of Discordia Music –publishers of music for the double bass. We’ve spent the last year or so reworking our editions, and five are now ready. Look for more soon.

Information about Discordia Music may be found here.

A few words about the editions:

Bach - 3 Sonatas
BWV 1027, BWV 1028, BWV 1029.
For Double Bass and Cembalo(originally for Viola da Gamba)
A005

The three Gamaba Sonatas are now combined in one volume. This edition is an arrangement for double bass, based on research of several sources, most notably the Neue Bach Ausgabe and the Peters Edition, edited by Lawrence Dreyfus. The double bass parts are at the original pitch rather than the usual one octave lower.

Brahms - Sonata in e-minor, Opus 38
For Double Bass and Piano
(originally for Violoncello)
A004

This edition, also at the original pitch, remains true to Brahms’ slurs, articulations and dynamic markings.

Rossini - Duetto
For Violoncello and Double Bass
A010

An arrangement of the Duo, with the double bass in solo tuning. Many of the composer’s simplifications of the double bass part have been eliminated.

Schubert - Sonata, D.821 “Arpeggione
For Double Bass and Piano
A01201

This edition is based on the composer’s autograph score. The double bass part is in orchestral tuning, taking advantage of the similarities in tuning between the Arpeggione and double bass. All of the original slurs, dynamics, and articulations are maintained.

Tchaikovsky - Canzonetta
from the Violin Concerto, Op. 35
For Double Bass and Piano
A008

Some violinist may laugh at this… One of my colleagues, now retired , once sheepishly admitted having played this as a student. Make for a nice little bon bon.

2 comments:

Geo. said...

Wait a minute...wasn't the city in question supposed to be redacted in all posts? :)

Michael Hovnanian said...

Sorry, only one ensemble I play with is paranoid about the use of their name.